2023 The Year In Pictures

This Christmas marks the 10th edition of my astrophotography calendar, consisting of my better images from the previous 12-months, which I produce for myself and members of the family.  Wow doesn’t time fly? Based on these images, I also compile a video of the images set to music, which we all watch together before seeing the actual calendar.  It’s become something of an occasion and is a great way to present the images, which look wonderful on today’s smart TV’s and is fun to watch and share with the family.

THE CALENDAR

Much longer imaging times (total of more than 145 hours), re-imaging old favourites in new ways and unusual, overlooked, or difficult objects, resulted in a very good 2023 astrophotography year and perhaps the best calendar yet?  The calendar for 2024 on YouTube can be viewed by clicking HERE and below is a brief overview of each image.  More detailed background information and imaging details for those interested can be found in relevant blogs I posted on this website.  The background music is the track Appleshine from Underworld’s album Drift.

 COVERSH2-284: Close-up of April’s image – along the inside of the ring structure are many dark dust pillars and globules, which on the right seem to resemble a hand with a bony finger pointing inwards!  
JANUARYNGC 1333: Nestled within the western area of the Perseus Molecular Cloud, some 1,100 light-years from Earth is the colourful NGC 1333 reflection nebula, one of the closest and most active star-forming regions of the night-sky.  
FEBRUARY  Spaghetti Nebula: Straddling the boundary of Taurus and Auriga constellations, is the giant supernova remnant (SNR) Simeis-147.  The stellar explosion occurred 40,000 years ago, leaving a rapidly spinning neutron star or pulsar at the core of the now complex and the expanding SNR.  
MARCHAurora Borealis: Situated just below the Arctic Circle, Iceland is well known both for its geology and views of the Aurora Borealis, which we saw in March on the south coast near Kirkjubaejarkklaustur.  
APRILSH2-284: A star-forming region of dust and gases, sculpted by radiation and interstellar winds emanating from a young (3 to 4 million years) star cluster located near the centre.       
MAYM3 Globular Cluster*: Consisting of 500,000 stars and over 11 billion years old, M3 is one of150 globular clusters that orbit around the Milky Way Galaxy.  
JUNEM27 Apple Core Nebula*: A planetary nebula, consisting of a glowing shell of ionized gas ejected from a red giant star in its late stage of life to become a white dwarf. Complex hydrogen (red) and oxygen (blue) fans form around the outer regions, with a pulsar-like beam transecting the nebula.  
JULYMonkey Head Nebula: Located 6,400 light years from Earth in the Orion constellation, the ‘Monkey’ is a so-called emission nebula, where new stars are being created within at a rapid rate.  
AUGUSTSH2-115: This widefield image contains a richness of various emission nebulae, centred around the distinctive large blue SH2-115 region.  Just to the left of SH2-115 is the small but enigmatic SH2-116 a faint, blue disc thought to be a planetary nebula.    
SEPTEMBERLDN-768 Black Cat Nebula: Close to M27 in the constellation of Vulpecula (“Little Fox”), is a dense region of stars broken-up by dark nebulae to create intriguing shapes. Here strung out from left-to-right, several of the dark nebulae seem to coalesce (visually) to create the form of a black cat.
OCTOBERSH2-126 Great Lacerta Nebula: On the western edge of the Milky Way in the southern part of Lacerta, is the very large but faint emission nebula SH2-126.  The red filament structures stretch over 3 degrees, to the right is the Gecko Nebula, a molecular cloud associated with bright young stars.
NOVEMBERFlaming Star & Tadpoles Nebula: Two emission nebulae: dust & gas of the Flaming Star (below) combined with red ionized hydrogen gas produces a flame affect. Above, the stellar winds and radiation pressure from hot massive stars creates the Tadpoles ‘wriggling’ away from the centre.
DECEMBERM51 Whirlpool Galaxy*: As the smaller galaxy passes behind M51, joint gravitational forces are interacting, resulting in the misalignment of stars and unusually bright blue and pink areas across the Whirlpool galaxy. Their fates are inextricably linked and might eventually merge.
                 Footnote: All images taken from Redhill, Surrey or telescope at a dark sky site in
          New Mexico, USA shown by an asterisk*
HAPPY NEW YEAR + CLEAR SKIES FOR 2024

Jinxed

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It seems the start of the year has been jinxed, resulting in something of a mixed bag for my astronomy but thankfully not without some positives.  A combination of illness, house decoration and some quite awful weather, really curtailed the possibility of any significant astrophotography projects.  Despite these difficulties, in the few moments that were available I have managed to carry out some useful experiments which hopefully lay the foundations for greater things the future – clear skies permitting!

Following the success of my first mosaic in 2019, I decided to undertake something more ambitious over the winter, inevitably returning to Orion – specifically Barnards’s Loop.  Unseen with the naked eye, the camera discloses the presence of this large arc of ionized gas that is approximately centered on the Orion Nebula, so large that only a conventional wide field camera lens can usually capture the entire Loop.  To obtain a higher quality image using a telescope it’s therefore necessary to create a mosaic.  With this in mind and keen to expand – physically and metaphorically – my use of the mosaic technique, Barnard’s Loop seemed a worthy object.

BLoop Mosaic PLan

I planned and compiled my previous mosaic of the Heart & Soul Nebula manually but following the recent addition of a mosaic tool to Cartes du Ciel (CdC), which importantly also integrates with my image capture software Astro Photography Tool (APT), this time I was able to plan a 14 (2×7) panel mosaic to image Barnard’s Loop (see accompanying CdC plan above) and the adjacent region.  With the ability to vary the overlap and mosaic size up to 10 x 10 panels, once constructed using the CdC mosaic planning the related data is saved to a file, which can then be imported as a series of custom objects into the Point Craft plate solving section of APT; each object is defined by its central RA and DEC co-ordinates.  Thereafter, using the plate solving function, the camera and scope are centered one-by-one on each panel for imaging, either manually or by writing a suitable script to automate imaging.

Given the size of the undertaking and difficulties with weather at this time of the year inevitably limiting imaging time, plus the strong Ha-nature of Barnard’s Loop, I chose to confine imaging to only Ha subs, which would pick-out the feature well and thus form a good basis for compiling the final mosaic.  The project started well on 3rd January when I was able to complete imaging the three panels covering the central sections of the large upper arm of the arc, unfortunately thereafter it all went downhill – mostly!

As Orion and therefore the Loop moved inexorably westwards, imaging time became increasingly restricted, further compounded by poor weather and when it was clear, poor seeing conditions.  Thus acquisition of the remaining panels became more and more difficult, with many of the resulting panels of only poor quality.  All-in all I managed to image twelve of the total 17 panels, adding three to the original plan to incorporate the lower ‘tail’ located between Saiph and Rigel.  Whilst the said panels covered the entire feature, such was the poor quality of many they could not be used to achieve the final aim of the project – a Ha-image of the entire Barnard’s Loop.

Using Microsoft’s ICE software, the upper section of the Loop came together well but I’ve not been able to incorporate the middle and lower sections which were of low-quality.  I’m quite pleased with the general outcome but consider the project has demonstrated that very large mosaics of this scale are an unlikely proposition at Fairvale Observatory given UK weather conditions and lack of a permanent a setup required to maximize imaging opportunities.  Notwithstanding, I believe up to four panel mosaics should be OK – we shall see.

Subsequently the weather was very bad and very, very wet, so unable to image I reprocessed NGC 1333 from last year, which at the time had not come out well.  I’d previously noticed that for some reason images had been exhibiting poor quality in the corners, where for no obvious reason stars showed trailing in the processed stacks – though not in the original subs. The solution, thankfully discovered via the Deep Sky Stacking Forum, was to change the Stacking Alignment setting from Automatic to Bilinear and bingo, all was well.

NGC 1333 LRGBx CropF2

NGC 1333 is a colorful reflection nebula located within the dark nebula Rho Ophiuchi, a vast area of gas and dust which is one of the closest star forming regions to the Solar System.  In order to evaluate its potential for my equipment I collected just over two hours of LRGB data in January 2019. As previously noted, at the time I was disappointed with the outcome but I now think the revised image processing indicates that with much greater integration time this object could work with more subs – watch this space.

As the bad weather continued throughout most of February there have been very few clear skies but on two such nights I managed brief imaging tests of two other January / February objects which I hope to return to in another year.  First of these was another dark nebula Barnard 22, illuminated from behind by the reflection nebula IC 2087. With total LRGB imaging time of just 1hr 24 minutes the processed image was extremely noisy but it was good to see the broad outline of B22 framed well within my FOV and suggests it too could be a viable object for another day.

Finally, with the daffodils already blooming, it was clear that winter was going to be a disappointing time for serious astrophotography, however, I was still able to attempt one final object before the winter night skies receded beyond the western horizon for another year.  Surprisingly I had hitherto overlooked this object, visually located just beyond the upper edge of Barnard’s Loop, which though difficult is fortunately also strong in the Ha-wavelength.  Lynds’ Dark Nebula (LDN) 1622 AKA the Bogeyman Nebula, describes the somewhat jinxed period I’ve experienced but this time fortuitously brought my earlier work together (x4 panel mosaic below: The Bogeyman – lower left + upper Barbard’s Loop + M78 – top right).

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Despite my best efforts I was unable to see the Bogeyman when framing the image in APT even after stretching but fortunately it still turned out well.  I noticed that most other successful images were mainly undertaken in HaRGB, however with limited time before the clouds again inevitably rolled, the few RGB subs obtained failed to add much colour to my image on this occasion.  Notwithstanding, with much greater integration time the final Ha-image holds great promise.  Furthermore, the said image could be incorporated into the upper main section of the Barnard’s Loop, together with the M78 reflection nebula, to finally make a complete and worthy mosaic image consisting of six panels – see main image at the top of the page and detailed x4 panel mosaic above.  Contrary to the name, on this occasion the Bogeyman completed the jigsaw and saved the day!

IMAGING DETAILS
Object Barnard’s Loop
Constellation Orion
Distance 1.434 light-years
Size 10o  ~300 light-years  
Apparent Magnitude 5
 
Scope  William Optics GT81 + Focal Reducer FL 382mm  f4.72
Mount SW AZ-EQ6 GT + EQASCOM computer control & Cartes du Ciel
Guiding William Optics 50mm guide scope
  + Starlight Xpress Lodestar X2 camera & PHD2 guiding
Camera ZWO1600MM-Cool mono  CMOS sensor
  FOV 2.65o x 2.0o Resolution 2.05”/pix  Max. image size 4,656 x 3,520 pix   
EFW ZWOx8 + ZWO LRGB & Ha OIII SII 7nm filters 
Capture & Processing Astro Photography Tool + PHD2 +  Deep Sky Stacker & Photoshop CS3
Image Location              & Orientation Various     
Exposures 10 x 5 x 300 sec  Ha

i.e. 25 minutes / panel or total time: 4hr 10 minutes   

  @ 139 Gain   21  Offset @ -20oC    
Calibration 5 x 300 sec Ha, OIII & SII  Darks,  20 x 1/4000 sec Bias  10 x  Ha, OIII & SII Flats               @ ADU 25,000
Location & Darkness Fairvale Observatory – Redhill – Surrey – UK        Typically Bortle 5-6
Date & Time Panels 2, 3 & 4  January 3rd 2020  @ +21.00h

Panels 5, 6, 7, 8, 9 &14  January 18th 2020  @ +20.0h

Panels 15*,16 & 17* January 19th 2020  @ +19.45h  

*rejected

Weather Approx. 2oC   RH <=80%                  🌙 30% waning
IMAGING DETAILS
Object NGC 1333 refection nebula 
Constellation Orion
Distance 1,000 light-years
Size 6’ x 3’
Apparent Magnitude 5.6
 
Scope  William Optics GT81 + Focal Reducer FL 382mm  f4.72
Mount SW AZ-EQ6 GT + EQASCOM computer control & Cartes du Ciel
Guiding William Optics 50mm guide scope
  + Starlight Xpress Lodestar X2 camera & PHD2 guiding
Camera ZWO1600MM-Cool mono  CMOS sensor
  FOV 2.65o x 2.0o Resolution 2.05”/pix  Max. image size 4,656 x 3,520 pix   
EFW ZWOx8 + ZWO LRGB & Ha OIII SII 7nm filters 
Capture & Processing Astro Photography Tool + PHD2 +  Deep Sky Stacker & Photoshop CS3
Image Location              & Orientation Centre  RA 03:29:07 (23?)      DEC 31:28:14  @ +19.16h                     

Top = North     

Exposures 6 x 300 sec  L&B 7 x 300 sec R&G

Total Time: 2hr 10 min    

  @ 139 Gain   21  Offset @ -20oC    
Calibration 5 x 300 sec Ha + 10 X 300’ RGB  Darks,  20 x 1/4000 sec Bias  10 x  HaRGB Flats               @ ADU 25,000
Location & Darkness Fairvale Observatory – Redhill – Surrey – UK        Typically Bortle 5-6
Date & Time 28th January 2020  @ +19.15h  
Weather Approx.?       RH <=?                 🌙 9% waxing
IMAGING DETAILS
Object Lynds’ Dark Nebula (LDN) 1622  AKA Bogeyman Nebula
Constellation Orion
Distance 500 light-years
Size 1o   ~10 light-years?
Apparent Magnitude ?
 
Scope  William Optics GT81 + Focal Reducer FL 382mm  f4.72
Mount SW AZ-EQ6 GT + EQASCOM computer control & Cartes du Ciel
Guiding William Optics 50mm guide scope
  + Starlight Xpress Lodestar X2 camera & PHD2 guiding
Camera ZWO1600MM-Cool mono  CMOS sensor
  FOV 2.65o x 2.0o Resolution 2.05”/pix  Max. image size 4,656 x 3,520 pix   
EFW ZWOx8 + ZWO LRGB & Ha OIII SII 7nm filters 
Capture & Processing Astro Photography Tool + PHD2 +  Deep Sky Stacker & Photoshop CS3
Image Location              & Orientation Centre  RA 05:55:38      DEC 01:59:40  @20.49h                     

Image rotated 180o for presentation Top = South     

Exposures 19 x 300 sec  Ha, 4 x 300 sec RGB

Time: Ha only 1hr 35 min   Total 2hr 35 min   

  @ 139 Gain   21  Offset @ -20oC    
Calibration 5 x 300 sec Ha + 10 X 300’ RGB  Darks,  20 x 1/4000 sec Bias  10 x  HaRGB Flats               @ ADU 25,000
Location & Darkness Fairvale Observatory – Redhill – Surrey – UK        Typically Bortle 5-6
Date & Time 17th January 2020  @ +20.50h  
Weather Approx. 16oC   RH <=75%                  🌙 29% waning

 

 

Reflections 2019

The website Watch This Space (Man) began in 2015 as I started out in astronomy and is a record of my personal journey, comments and thoughts.  Apart from the main blog, the website also contains links to other astrophotographers, astronomy tools, astronomy weather, and scientific papers etc., which can be accessed from the top menu.

Whilst there is a photo gallery of my work in this website, an overview of the better images can be found in the My Astrophotography FLICKR album, which can be found in the GALLERY menu.  Furthermore, this year I took the plunge and joined the Astrobin community, where my images can be found using the appropriate link also in the GALLERY menu.

Heat Map 2019

During the past year the site was visited from 64 different countries, literally from every corner of the world.  I always like to hear from anybody out there – comments, questions, help or just to say hello  – and can be contacted via details given in the ABOUT menu section or just leave a comment on any item if you prefer.

Reflections 2019 BannerX

Reflections is compiled at the end of each year as a review of my astronomy and astrophotography during the previous twelve months, together with some thoughts on possible future developments.

Overview, Images & Goals for 2020

The past year’s plan was simple: build-on and experiment with developments from the previous year, in particular using Plate Solving to achieve longer integration times and explore further the north sky, which I could now see from the new Shed Observatory and operates during the spring and summer months.

By routinely using Plate Solving integration times, now obtained over a number of nights or even months, have increased by up to four-fold compared to previous years.  As a result I concentrated on less objects but for longer time, achieving between 6 to 8 hours of subs on some occasions, the limiting factor as ever being British weather.  Although quite modest compared to those able to use fixed observatories, or in clear, dry climates with Bortle 1 or 2 skies, I was very pleased with the positive impact this had on my images.

Starting astronomy and astrophotography somewhat late in the day a few years ago, like many others after retirement, the learning curve was steep and often frustrating.  There were times I’ve almost considered giving up but with perseverance I’ve made progress and often get great pleasure from some of the results, as well as just enjoying and learning about this wonderful subject.  For me it is just a hobby but recognising some of my achievements and abilities acquired since starting out in 2014, I was especially proud this year to be elected a Fellow of the Royal Astronomical Society.  For all the help in reaching this point, I’d like to thank all those who have helped me from the astronomy community, wherever they are.

RAS logo

Favourite Images

My weakness in astrophotography remains processing but having at last obtained some good integration times, this year I made a greater effort to improve these techniques – with some success.  Adopting the theme less is more, I imaged just 17 different objects this year – of which nine were full narrow or broadfband images, with the rest being  experimental or DSLR – with a total integration time of 65 hours (2018: 25 objects & 43 hours).  The resulting images turned out well, achieving Picture of the Week on the British Astronomical Association website on six occasions.  It’s therefore difficult to choose favourites from this select group based on merit alone, so this year’s favourites (see below) represent those good images that also mark a significant milestone in my astrophotography.  Detailed reviews of these and all other images from 2019 are discussed in dedicated articles that can be found via the Blog Index under the ABOUT dropdown menu.

SHO2 CompF (Large)

Horsehead & Flame Nebula: Usually imaged in LRGB broadband, this narrowband SHO version produced a very different affect and colours, whilst also showing the beauty of the accompanying clouds of interstellar gas and dust.  Taken over three nights, at nearly 7-hours, this image was also one of my longest integration times to date.     

M101 HaLRGB final Closeup

M101 Pinwheel Galaxy: Given Bortle 5-6 skies, being on the Gatwick Airport flightpath and a using a small refractor, I struggle to image galaxies and often LRGB images in general from Fairvale Observatory.  However, on this occasion the combination of 5-hours HaLRGB subs and new processing techniques to enhance the colours, M101 proved the exception and is perhaps my first decent classic spiral galaxy imaged from home.  Moreover, the HII regions light up along the spiral arms with the addition of Ha wavelength, producing a dazzling and dynamic image. 

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Heart & Soul Nebula:  Combining existing data from 2018 of the Heart Nebula and new 2019 data of the Soul Nebula + the intervening space, this is my first albeit modest mosaic, which promises to open up significant possibilities in the future. 

RECORD CARD – 2019
Goal Specifics / Results Outcome
Improve broadband and narrowband imaging

 

Achieved major increase of image integration times and overall quality. MUCH, MUCH BETTER

 

Improve processing Continuing to make slow improvements, with greater use of new Photoshop techniques. BETTER

 

Expand & Improve Widefield Imaging Despite some good images of the Milky Way in the USA, I never used the Vixen Polarie tracking mount and did not make it to any other dark sky sites  = disappointing. FAILED

 

My objectives in 2019 mostly went well in (see above), so here goes for 2020:

  • Imaging: There’s always scope to improve imaging techniques but probably most of all I still need to improve guiding quality and increase exposure and image integration times even further.
  • Mosaic: Expand the use of mosaic imaging using Plate Solving and new CdC planning software.
  • Improve processing: I expect this will continue to be something of a challenge for some time to come unless I go to the dark side and adopt software such as PixInsight & / or APP.
  • New Observatory: Unfortunately this will not be a fixed obsy whilst I continue to live here at Fairvale which is unsuitable.  However, I’m hopeful that another location between the Main (North) Observatory and the Shed Observatory might open up the north sky better and by getting away from the high hedges that surround the garden allow longer imaging sessions than can be currently obtained at the Shed.
  • Other: My mind is always thinking about larger telescopes or a dual rig and / or a new high-end encoded mount but probably not until I make further progress with the above goals and / or move to a better dark sky location – dreaming is part of astrophotography = watch this space!

Although you never know, I don’t see any major breakthroughs in the coming year but more of the same – revisiting familiar objects in order to obtain new image versions based on greater integration time and hopefully using mosaic techniques to build-out images in order to encompass wider areas of the sky.  This year I was surprised to discover objects that I had hitherto considered out of reach from my location (M101, M51 etc.), as well as exciting features that were completely new to me and still hold great promise e.g. DWB 111 AKA the Propeller Nebula.

Looking back I’m very happy to say 2019 was an excellent year for astronomy and astrophotography, almost certainly my best yet.  You can’t ask for more than that and I hope that WTSM’s Reflections 2020 will record further such success.

Watch this space!

wtsm logo

 

2019 CHRONICLE 

Below is a quarter by quarter summary of my astronomy and astrophotography for the year, followed by an imaging record.

JANUARY TO MARCH

Towards the end of 2018 I decided to undertake a project, with the prime objective to gather a much longer period of integration than hitherto achieved by using my newly developed skill of Plate Solving.  I’d previously imaged the Horsehead and Flame Nebula in the more traditional colour palette, either with a modded DSLR or by LRGB broadband.  However, I’d recently seen this iconic image undertaken using the Hubble Palette to great affect and was inspired to do the same myself. Thereafter, for more than 2-months the clouds rolled in and I thought my project would then be impossible, not least because by now Orion had crossed the Meridian in the early evening and imaging times were at best limited.  But as is often the case with astrophotography everything suddenly changed and it was game on!

The first evening of clear skies since 11th November 2018 coincided with the full lunar eclipse on 21st January, which I was therefore able to image once again.  Then six days later a very untypical clear and quite warm period of weather arrived and I was able to complete my intended project after all, with further time to image both the Great Orion Nebula and the reflection nebula M78 + Barnard’s Loop (see images below).

HaLRGB2FINALcrop (Large)

Combined +180 degrees 3+5min HaLRGB (Large)

Achieving much longer integration times of between 5 and nearly 8-hours, the impact on the resulting images was transformative.  I was especially pleased with the outcome of the Horsehead project in SHO (see Favourites Images section) but found the Ha-only starless version of the same scene (see below) particularly mesmerising, as the large HII structures throughout this region bring the image to life.

NGC 2024 Ha Starless2

By the end of February the night sky at 51o latitude has moved inexorably on to the so-called Galaxy Season, which provides something of a dearth of imaging opportunities for my 81mm telescope.  However, with a good patch of weather at the end of March, whilst experimenting with the Leo Group I noticed that small areas of Ursa Major region could be seen directly above for a couple of hours, which to my surprise opened up a whole new world of possibilities hitherto considered unavailable.  Shortly after I managed to obtain almost 5-hours of data on M101 the Pinwheel Galaxy, which is one of my best galaxy images taken from Fairvale Observatory (see Favourite Images section).

APRIL TO JUNE

Having discovered the albeit limited possibilities of seeing Ursa Major, I moved to the Shed Observatory early in April, which by then afforded slightly better views of the same area of sky and thereby to my great joy provided the possibility of imaging the wonderful Whirlpool Galaxy, M51.  Unfortunately time was somewhat limited but it was better than nothing and I was thrilled to obtain an image of this wonderful object for the first time.  Weather permitting I’ll be back for more data in 2020 with which to build on the promising result obtained this year.

LRGB Image FINALX2 (Large)

By the end of April just 8-weeks away from the summer solstice astronomical darkness is in short supply.  Fortunately having moved earlier to the Shed Observatory this year, I was in a good position to return to inaging the Bodes and Cigar Galaxies (see below), which had been my first ever image of north sky objects in 2018.

LRGBFinal (Large)

JULY TO SEPTEMBER

From May until late July the absence of Astronomical darkness makes astronomy difficult and frankly having progressed from the time of being a beginner, it is quite refreshing to take a break.  Therefore it was only after an evening viewing the partial eclipse on 16th July and a brief experiment with the Wizzard Nebula (something for the future) at the beginning of August, that much later I returned to astrophotography seriously.

SHO2SCcrop (Large)

Having messed up imaging the Soul Nebula with poor framing in 2018 and being at the Shed Observatory, I decided to re-image the Soul properly, together with some of the adjacent sky in order to combine the new data with last year’s adjacent Heart Nebula to form a mosaic of both objects.  I don’t know why but this was my first attempt at a mosaic.  Only very recently has integrated software for mosaic planning combining  Cartes de Ciel and Astrophotography Tool for image capture has been released.  However, on this occasion I planned and implemented the said mosaic imaging manually, with a satisfying outcome (see Favourite Images section) but with the new software now available I hope to embark on more extensive mosaic projects in the near future.

This year’s astrophotography has followed two themes, the aforementioned ‘less is more’ with the aim of producing better images using much greater integration times.  The second has been largely determined by chance, being the discovery of new objects that had hitherto either been unknown to me or considered to be out of view from Fairvale Observatory; the combination of my house, very high hedges + trees and adjacent houses obscures large swathes of the night sky.  Earlier in the year such chance had led me to the M101 and M51 galaxies and in the autumn it was first the iconic Pacman Nebula and then an exciting area of Cygnus constellation.

Pacman is not particularly large for my equipment but nevertheless produced a decent narrowband image, my last from the Shed Observatory for this year.  Not until late September did the clouds again relent for my next project that initially seemed something of a long shot but actually turned out very well.  The Propeller Nebula is located in a vast HII region of the Cygnus Constellation, which from my point-of-view was a complete surprise.  At some 25 arc seconds the nebula is again on the small side for my equipment but the complexity of the adjacent HII region transforms the wider image into something really spectacular (SHO version below), which I certainly intend to visit again next year to build on the current data and explore further afield the HII region which presents exciting possibilities.

SHO F HLVG (Large)

A subsequent long trip to the USA stopped all astronomy in Surrey but a couple of evenings out in Wyoming and Utah produced some incredible dark skies and DSLR Milky Way images (see below).  Despite the remoteness of Spilt Mountain in the UTAH section of the Dinosaur National Monument – designated a Dark Sky Area – whilst imaging at 20 second exposures only one-in-ten images were without a plane track, very sad.

IMG_2345 ComboX

OCTOBER TO DECEMBER

Prior to the arrival of Orion and other fun objects of the mid-winter night skies, imaging opportunities are sparse with my equipment but it’s been a couple of years since I last imaged M31 the Andromeda Galaxy and therefore for two evenings in late October it was time to give our neighbour the extended integration treatment.  At 7½ hours data acquisition went well but although the processed image is probably my best yet of this object, there’s room for improvement, which I suspect will require a move to more advanced processing software?

HaLRGBx5b (Large)

ASTROMINAGING RECORD 2019

No Date Type Object Name
       
1 21/01/19 DSLR Full Lunar Eclipse  
       
2 27/01/19* NB  Barnard-33 &

 NGC 2024

Horsehead & Flame Nebula
       
3 23/02/19* Combo M42 Great Orion Nebula
       
4 25/02/19* Combo M78 Reflection Nebula Orion
       
5 12/03/19 BB NGC443/444 Jellyfish Nebula
       
6 24/03/19 Combo M95/96/105 Leo-1 Group
       
7 29/03/19* Combo M101 Pinwheel Galaxy
       
8 10/04/19 Combo M51 Whirlpool Galaxy
       
9 13/04/19 BB M81 & m82 Bodes & Cigar Galaxies
       
10 16/07/19 DSLR Partial Lunar Eclipse  
       
11 02/08/19 NB NGC 7380 Wizzard Nebula
       
12 23/08/19* BB IC 1848 Soul Nebula +

Mosaic Link

       
13 26/08/19 NB NGC 281 PacMan Nebula
       
14 05/09/19* NB DWB 111 Propeller Nebula
       
15 Sept DSLR Milky Way Split Mountain Utah
       
16 22/10/19* Combo M31 Andromeda Galaxy
       
17 18/11/19 BB M74 Galaxy
       
18 18/11/18 NB SH2-240 Spaghetti Nebula
       

*multiple evenings        Combo = HaLRGB       Underlined = BAA published

POSTSCRIPT

The ones that got away – imaged but not seen in WTSM this year – warts and all

RHB_2ajelly (Medium)

I saw some wonderful narrowband versions of the supernova remnant IC 443 Jellyfish Nebula this year, in particular adopting a wider view to incoporate its sentinel-like parner stars Tejat (Mu Geminorum) left and the tripple star Propus (Eta Geminorum) right, together with the reflection nebula IC 444 in the background.  As an experiment I think it may hold promise but will require a lot more integration time to improve the quality, colour and bring out more of IC 444.

M95_96_105 (Medium)

I’ve tried the Leo-1 group (M95/96/105) before but, as they say, if you don’t succeed try again.  Unfortunately the passage of time didn’t help – I need a larger telescope to do these critters justice! 

IMG_2336 (Large)

Dinosaur National Monument – Split Mountain, Utah.  Even at this wonderfully remote location, which is one of the darkest places in the USA, passing planes still get in the way of a good image – just like at Fairvale Observatory

M74 LRGBx (Medium)

At <=10 arc minutes the spiral galaxy M74 is too much for my equipment.

SH2-240 AB combined Ha Stretch (Large)

Located between the constellations Auriga and Gemini, SH2-240, Simeis 147 AKA the Spaghetti Nebula is a very large (+3 degrees) supernova remnant but it’s very low brightness makes imaging extremely difficult.  In fact prior to and during capture in Ha-wavelength, I had no idea if it was even within the image frame.  Aggressive stretching shows that it was there but only much darker skies and probably longer exposure time is likely to produce a more viable picture. 

 

The Sum Of The Parts

Picture saved with settings embedded.

Having established an alternative imaging site at the southern end of my garden in the summer of 2018 AKA The Shed Observatory, I was thrilled to be able to image objects in the north sky for the first time, hitherto obscured by my house from the usual observing location.  Soon thereafter it was with great pleasure I achieved a good narrowband image of IC 1805 the Heart Nebula but was subsequently disappointed to find that part of the neighbouring object, IC 1848 the Soul Nebula, had been missed after encountering a framing problem.

One year on I was back in The Shed with new objectives for these targets: (i) to obtain a complete image of the Soul Nebula, and (ii) given the relative proximity of the Heart & Soul Nebula, to compile a mosaic which included the two objects; surprisingly I’d not attempted a mosaic before and this seemed like a good place to start.  Given the increased imaging time needed to complete even a small mosaic + the lack of darkness at the end of August + British Weather, I chose to restrict imaging to just the Ha-wavelength, which works well with both these targets and could build on the Ha subs already obtained of the Heart Nebula in 2018.

Traditionally mosaic images are based on a grid of say 1+1, 1+1+1, 2 x 2, 3 x 3  etc., which are then combined using the relevant aforesaid sequences, however, in this case starting with the original Heart Ha-subs such a system was not possible.  Since moving to mono imaging with the ZWO ASI1600-Cool camera I’ve used the excellent APT (Astro Photography) image capture software, which hitherto has catered very well with all my needs – including plate solving.  However, at this time APT did not yet have a comprehensive mosaic facility (see footnote) which would allow an imaging grid to be planned and pre-programmed.  Instead it was therefore necessary to first determine suitable image coordinates for each mosaic panel that would cover the Heart & Soul + 25% overlap and then manually establish each position prior to imaging.

Given the proximity of each component I estimated a suitable mosaic could be achieved with three panels, one for each of the main objects and an intermediate panel that would bridge the space between, thus linking the objects to form a continuous mosaic.  Given the spatial relationship, each ofthe three panes needed to be stepped relative to each other and also slightly rotated.  The final data for each nebula consisted of 1h 40m integration time + a further 1h 15m for the link panel, or 4h 35m in total for the complete mosaic.

To my relief the final mosaic was relatively easy to create.  First modestly stretching each panel, paying attention to the background levels and removing any gradients, in order to ensure uniformity between the images before compilation.  I then used Microsoft’s free ICE (Image Composite Editor) software to stich the three panels together into a final mosaic, after which further adjustments were made in Photoshop.

I’m very pleased with the outcome of my first, albeit modest mosaic.  With the ability to return to targets on any occasion using plate solving and, as always weather permitting, multi-image mosaics now open up whole new possibilities which can be captured and compiled over a period of time – even years.  However, until I am able to use a suitable mosaic programme for sequencing, I’m more likely to restrict such projects to small areas that only require limited imaging time, such as the Heart & Soul.

The Greeks and Romans knew a thing or two about mosaics and I’ve long enjoyed Escher’s use of the mosaic form as a basis for his graphic art (see above).  I’m quite sure they would marvel at the astrophotography of Deep Sky Objects and how mosaics can be used in their creation.  The mosaic is all about the sum of the parts, which not only produces a wider, more encompassing view but in doing, so the combined parts add a different quality to the final image.  For now my first mosaic has been quite successful, was good fun and moreover, I can see that the technique ultimately has the potential to open up new and exciting possibilities even with my existing equipment.

Footnote: Since imaging and processing the Heart & Soul mosaic, a recently updated Cartes du Ciel (CdC) verson 4.2 has been released, which incorporates a mosaic planning function.  Moreover, the aforesaid plan can then be imported into the APT software (subject to a minor adjustment being undertaken by APT to fix a panel numbering issue) and thereby provide integrated mosaic planning and programming.   

IMAGING DETAILS – 2018
Object Heart Nebula IC 1805     
Constellation Cassiopeia
Distance 7,500 light-years
Size 150’ x 150’  =  2.5o or 200 light-years
Apparent Magnitude +18.3
 
Scope  William Optics GT81 + Focal Reducer FL 382mm  f4.72
Mount SW AZ-EQ6 GT + EQASCOM computer control
Guiding William Optics 50mm guide scope
  + Starlight Xpress Lodestar X2 guide camera & PHD2 control
Camera ZWO1600MM-Cool (mono)   CMOS sensor
  FOV 2.65o x 2.0o Resolution 2.05”/pix  Max. image size 4,656 x 3,520 pix   
EFW ZWOx8 + ZWO LRGB & Ha OIII SII 7nm filters 
Capture & Processing Astro Photography Tool + PS2,  Deep Sky Stacker & Photoshop CS2, HLVG
Image Location              & Orientation Centre  RA 02:33:09    DEC 61:24:23                     

 

Exposures Heart Nebula 20 x 300 sec Ha  =  100 minutes   
  @ 139 Gain   21  Offset @ -20oC    
Calibration 5 x 300 sec Darks  20 x 1/4000 sec Bias  10 x Flats Ha  @ ADU 25,000  
Location & Darkness Fairvale Observatory – Redhill – Surrey – UK        Typically Bortle 5
Date & Time 16th & 17th  August 2018 @ +23.30h  
Weather Approx. 12oC   RH <=95%

 

IMAGING DETAILS – 2019
Object Soul Nebula IC 1848   & Link Pane
Constellation Cassiopeia
Distance 6,500 light-years
Size 150’ x 75’  or 100 light-years
Apparent Magnitude +18.3
 
Scope  William Optics GT81 + Focal Reducer FL 382mm  f4.72
Mount SW AZ-EQ6 GT + EQASCOM computer control
Guiding William Optics 50mm guide scope
  + Starlight Xpress Lodestar X2 guide camera & PHD2 control
Camera ZWO1600MM-Cool (mono)   CMOS sensor
  FOV 2.65o x 2.0o Resolution 2.05”/pix  Max. image size 4,656 x 3,520 pix   
EFW ZWOx8 + ZWO LRGB & Ha OIII SII 7nm filters 
Capture & Processing Astro Photography Tool + PS2,  Deep Sky Stacker & Photoshop CS2, HLVG
Image Location              & Orientation Centre – Soul Nebula   RA 02:56:16    DEC 60:20:07

Centre – Link Pane         RA 02:43:38    DEC 60:55:59    

Exposures Soul Nebula  20 x 300 sec Ha  = 100 mins   

Link Pane       15 x 300 sec Ha  =  75 mins

  @ 139 Gain   21  Offset @ -20oC    
Calibration 5 x 300 sec Darks  20 x 1/4000 sec Bias  10 x Flats HaI  @ ADU 25,000  
Location & Darkness Fairvale Observatory – Redhill – Surrey – UK        Typically Bortle 5
Date & Time 23rd & 25th August 2019 @ +23.30h 
Weather Approx. 18oC   RH <=60%