Howling Wolf

lunar eclipse mosaic 210119x

I have a theory that at or about the time of each full moon the night sky is almost always clear, I don’t have the data but it just seems that way most of the time.  As an astrophotographer I am more than usually aware of the full moon as it makes all except narrowband imaging impossible, when it floods the night sky with its brilliant white light.  Apart from a brief and somewhat futile attempt on 14th December – the Moon and mixed cloud curtailed imaging on that occasion – my last astronomy at Fairvale Observatory was on the 17th October, thereafter being plagued by persistent cloud and bad weather; after a promising start at Les Granges Observatory in early November no further astronomy was possible during the rest of the week due to cloud and poor weather conditions.  I’m beginning to think I need a new hobby, one that is not weather dependent at least!

Given the disappointing lack of astronomy conditions I paid little attention to the upcoming lunar eclipse on the early morning of 21st January.  However, as the day approached various weather forecasts were inevitably mixed but at least two out of five held some promise of clear skies during part of the eclipse.  I therefore started to at least undertake some preliminary planning, only to discover that much of the eclipse might be obscured by houses and tall trees to the west of my location; Plan-B was to travel to nearby Reigate Priory Park which has a decent westerly outlook closer to the horizon.

As it turned out on the 20th a clear, sunny but cold and clear day preceded a clear evening and at about 3 a.m. on the 21st shortly before the action was due to start, the sky was still clear, thankfully proving my theory correct on this occasion.  Furthermore, my concerns over obscured views turned out to be mostly unfounded, with the Moon higher in the sky than envisaged and good sightlines up until the end of totality, at which time the cloud eventually rolled in anyway.  As a result I was able to enjoy over two hours viewing and imaging time, which encompassed the entire penumbral and totality stages of the eclipse.

Having obtained excellent images of the last lunar eclipse on 28th September 2015, tracking with a DSRL and the William Optics GT81 + another static, tripod fitted DSLR and 250mm zoom lens, this time I decided to adopt a different, more mobile set-up, in case Plan-B was necessary.  In 2017 I purchased a Canon 300mm f/4 L-Series telephoto lens to use for astronomy and wildlife photography.  The Canon’s Series-L lenses are a high quality, professional line especially made for APS-C cameras such as the 700D.  With no less than 15 lens elements and a fixed focal length, the picture quality for terrestrial imaging is fantastic, further assisted by a very accurate and quite image stabilizer.

This time I mounted the lens directly onto the tripod, with the camera further back so as to provide good balance between the two components.  As the autofocus and IS functions cannot be used in a dark sky for astrophotography, focus can be tricky and a compromise is required between the aperture setting for sharpness and a low ISO for quality.  As I discovered last time, the light quality diminishes significantly whilst the eclipse progresses across the face of the Moon and the aforesaid settings need to be constantly adjusted to compensate, especially during totality.  In the end I was pleased with the outcome of imaging the so-called Super Blood Wolf Moon (see mosaic above and image below).

img_1235x

As pleasing as imaging the eclipse is, like a solar eclipse viewing is an entirely different experience.  It is a pleasure to just watch the whole phenomena play out but the dramatic changes of light also has a profound effect on both the night sky itself and, in particular, the very nature of the Moon as perceived by the naked eye. On a clear night the full moon floods the night sky with its very bright light, thereby effectively hiding all but the very brightest of stars from view.  As the penumbral stage progresses (see diagram below) for about an hour the dark night sky is slowly revealed in all its glory, it’s as if someone has pulled the curtains and a new world has appeared.

total-lunar-eclipse-jan-2019-plot

Furthermore, as the moon darkens and eventually enters totality it takes on a completely different and eerie feeling, as well as a red hue caused by Raleigh scattering.  As is often the case with astrophotography the camera sensor is able to capture much greater colour and detail than the naked eye can see, thus producing beautiful images of one of nature’s best shows.  However, to the naked eye the moon takes on a different, somewhat strange nature during totality – something of a 3D effect occurs as it seems to float in the night sky like a big red balloon – something that an image cannot ever capture, making the night time adventure more exciting and worth all the effort.

Lunar eclipses are not that rare but we now have to wait 10-years for the next one in the UK which will take place on 20th December 2029, with or without cloud!

IMAGING DETAILS
Object Lunar eclipse – Super Blood Wolf Moon
Distance <238,000 miles (30,000 miles closer than usual)
Size 31’or 1/2o  
Apparent Magnitude -12.74  @ mean full moon
 
Scope / Lens  Canon L-Series 300mm f/4
Mount Manfrotto tripod
Camera Canon 700D  
Capture & Processing Manual, Photoshop CS3- Extended
Exposures x50:  Penumbral f/8   1/125’   ISO 100     Totality f/5.6  0.80’   ISO 400    
    
Location & Darkness Fairvale Observatory – Redhill – Surrey – UK        Typically Bortle 5
Date & Time 21st January 2019 @ approx. 03.30h  
Weather <= 1oC   RH <=95%                  🌙   Eclipse

Reflections – 2015

Launched in August 2014, 2015 is the first full year of Watch This Space (Man) and despite some personal set-backs it’s been an interesting year astronomically, with much to write about.  Whilst I have made progress with my imaging, it was not what I would have wished for but nonetheless I have been pleased with the outcome.  Continuing on from last year, Reflections is a recap and thoughts on all that happened to me astronomically in 2015 and looks forward to the coming year.

Although this website is just intended as my record of A personal discovery of the Universe through astronomy and astrophotography, it has been pleasing to see that over the year the site has attracted 1,310 visitors from 77 countries around the world and over 2,700 views; you are all most welcome.  This was not the intention of the blog but I am humbled by the interest and would be very pleased to hear from anyone who would like to get in touch with queries, comments or just to say hello – contact details are in the About section.

Reflections 2015

JANUARY TO MARCH

The first quarter turned out to be my most active and successful period of the year for reasons that will become apparent later.  Strictly speaking my image of the Rosette Nebula posted on 5th January was taken on 29th December 2014 but what an image to start the year with, clearly I was doing something right by now.  Notwithstanding, from looking at pictures of the same object taken by other more accomplished photographers, it was evident that something was missing – red!  This was an easy to problem to solve and I immediately set out on a quest to find a suitably modified camera with the IR filter removed.  Soon thereafter I was lucky to find an excellent second hand modded Canon EOS 550D, which has now become my main imaging camera of choice and with all that extra red Ha-light has led to a quantum improvement of many images since.  Such cameras are very popular so I felt lucky to have secured this one.

Orion's Sword: M42 The Great Orion Nebula, Running Man Nebula & NGC 1981 Star Cluster WO GT81 + modded Canon 550D & FF | 10 x 180 secs @ ISO 800 & darks calibration | 8th February 2015

Orion’s Sword: M42 The Great Orion Nebula, Running Man Nebula & NGC 1981 Star Cluster
WO GT81 + modded Canon 550D & FF | 10 x 180 secs @ ISO 800 & darks calibration | 8th February 2015.  Modification of the camera by removing the IR filter increased red Ha-light.

EQMOD / ASCOM is a popular free software project developed by amateurs that, amongst other things, provides computer and planetarium linked control of the mount; with other compatible linked programmes such as APT (Astrophotography Tool) and PHD (Push Here Dummy) control can be extended to cameras and for autoguiding.  At the start of the year I successfully started using Carte du Ciel planetarium linked with EQMOD for computer controlled alignment and mount control, which as expected was very useful – particularly when it got really cold and I was able to take the equipment indoors and operate the equipment remotely.  However, later in the year I have encountered connection problems which are, as yet, not fully resolved.

Whilst EQMOD is an excellent project which provides first class mount control when working, it requires additional faffing about and problems on a different level of scale, which with limited imaging conditions in the UK and having to set up outside from scratch each time is a pain.  For this reason and others I have not yet moved to autoguiding, which I know will be highly beneficial to imaging but for the moment has proved to be a step too far for me.  Such is the fickle nature of all this that I’m now considering other ways of achieving the same end, perhaps with professional software control and a stand-alone guider, such as the Lacerta M-GEN – of course a dedicated observatory would help a lot but seems unlikely at the moment!

I have previously found the early winter sky of Orion, Taurus, Pegasus and Monoceros very productive with beautiful imaging objects such as M42 and the Horsehead Nebula.  However, this year looking more closely at the late-winter / early spring skies turned out to be just as exciting, with a veritable playground of galaxies to choose from during February and March.  Notwithstanding, the highlight during the winter was successfully imaging Comet Lovejoy, a first for me that required changes to  normal DSO and planetary imaging techniques as this ephemeral object was speeding across the night sky at over 70,000 mph – post processing also turned out to be quite different.

C/2014 Q2 Comet Lovejoy WO GT81 + Canon 550D (modded) & FF | 40 x 20secs @ ISO1,600 + darks | 16th January 2014

C/2014 Q2 Comet Lovejoy
WO GT81 + Canon 550D (modded) & FF | 40 x 20secs @ ISO1,600 + darks | 16th January 2014

 

No Date Object* Name
1 16/01/15 C/2014 Q2 Comet Lovejoy
2 16/01/15 C/2014 Q2 Comet Lovejoy
3 16/01/15 NGC 2244 Rosette Nebula
4 22/01/15 M42 etc Orion Nebula
5 22/01/15 M45 Pleiades
6 22/01/15 Comet Lovejoy
7 22/01/15 Comet Lovejoy
8 22/01/15 Banard’s Loop
9 22/01/15 Banard’s Loop
10 22/01/15 Orion Constellation
11 24/01/15 NGC 1909 Witch Head Nebula
12 24/01/15 NGC 2392 Eskimo Nebula
13 24/01/15 M44 Beehive Cluster
14 24/01/15 IC-443 Jellyfish Nebula
15 08/02/15 M42 Gt Orion Nebula etc
16 08/02/15 Barnard 33 Horsehead Nebula etc
17 21/02/15 M65 Leo Triplet (Galaxies)
18 21/02/15 M105 M96 Group (Galaxies)
19 24/02/15 Venus & Mars
20 25/03/15 NGC 2903 Spiral galaxy – Leo
21 25/03/15 NGC 3842 Galaxy cluster: Leo
22 25/03/15 M 88 Spiral galaxy: Virgo cluster
23 25/03/15 M100 Spiral galaxy: Virgo cluster
24 26/03/15 NGC 4438 Markarian’s Chain
25 26/03/15 M104 Sombrero
26 26/03/15 M53 Globular cluster

 

*Record of quarterly photographic images in 2015, excluding other widefield pictures

APRIL TO JUNE

Things took a turn for the worse in April when I went into hospital for a knee replacement operation.  All went well but it is a major operation and recovery has been slow and often painful, thus prohibiting any real astronomy until September.  It did however provide the time and opportunity to read about astronomy and pursue some MOOC astronomy courses.

After a period of convalescence, I did manage to obtain some widefield camera shots of the planets, the ISS and simple night sky images in the summer.  Whilst not as satisfying as prime focus photography, it was interesting and kept me sane during this otherwise difficult time.

1st July 2015. Bingo = conjunction; though one day later Jupiter has now moved to the right of Venus.

1st July 2015. Conjunction of Jupiter to the right of Venus.

No Date Object Name
27 11/04/15 NGC 4438 Markarian’s Chain
28 11/04/15 NGC 4565 Spiral galaxy-side

 

JUNE TO SEPTEMBER

This period was more of the same until on 19th September, when at last I managed to set-up Fairvale Observatory for the first time since March, what a relief.  As a bonus I was particularly chuffed to achieve a good image of the Andromeda Galaxy but the highlight of this period and the year was the lunar eclipse at the end of the month on 28th September.

For once everything was perfect: a clear sky all night with a perfect view of the eclipse from start to finish.  I stayed up all night and would have to say it was one of the best, if not the best event I have so far experienced since taking up astronomy; apart from being an outstanding imaging opportunity, the ambiance throughout the eclipse was spellbinding.  I was therefore very pleased to obtain an excellent set of images of the entire eclipse, mainly using a prime focus camera set-up with the WO GT81 telescope but also with an alternative  camera and telephoto lens on a tripod.  The memory of that night will stay with me for a long while and, in part, helped to make up for the lost time since my operation in April.

Eclipse Animation 28th September 2015

Eclipse Animation 28th September 2015

No Date Object Name
29 19/09/15 IC 5070 Pelican Nebula
30 19/09/15 NGC 6979 Pickering inc Veil Nebula
31 19/09/15 M15 Globular Cluster
32 19/09/15 M31 Andromeda
33 28/09/15 Lunar Eclipse Entry @ 1 sec intervals
  28/09/15 Lunar Eclipse Totality
  28/09/15 Lunar Eclipse Entry @ 1 sec intervals
34 28/09/15 Lunar Eclipse Exit – camera + tripod
35 30/09/15 IC 1318 Sadr Region (+NGC 6910)
36 30/09/15 IC 1318 Sadr Region – Pt2

 

OCTOBER TO DECEMBER

The final quarter of the year has been very frustrating due to the almost complete absence of suitable imaging conditions, mainly due to cloud cover but even when there was a few clear nights it was of course a full Moon – you can’t win!  I was particularly unhappy as this time marks the arrival of the constellation Orion and all its wonderful imaging opportunities, for which I had new plans.

Given the short focal length of the William Optics GT81 and relatively small aperture, used with a APS-C cropped sensor DSLR camera the resulting field-of-view is a quite large and, where possible, this year I’ve therefore concentrated on objects of 2.5o to 3.0o apparent dimensions.  Together with the modded camera this has resulted in some exciting new images of old and new objects.

However, large as the field-of-view is with this set-up, I have become increasingly aware of the simply enormous scale of some nebulous features such as Barnard’s Loop.  As a result I have become more interested in widefield imaging using just a camera and tripod.  Like prime focus imaging, widefield imaging will also benefit from achieving longer exposures through the use of tracking.  Early in this period I was fortunate to purchase a Vixen Polarie lightweight tracking mount for this purpose, but due to the aforementioned conditions I have unfortunately been unable to use it very much.  In fact it’s fair to say that other than some brief experimentation, it’s hardly been used at all so far.  Notwithstanding, I can see the potential and have high hopes for future imaging opportunities when the clouds part and the Moon is absent.

The year finished with a couple of other purchases that I hope will assist with imaging in 2016:

  • A new laptop – running Windows 10 with a core i7 Intel chip, 2 TB hard drive, 16 GB RAM, dedicated AMD graphics card and an HD 17.3” screen, which I hope will help improve post processing.  Running my preferred Windows 7 operating system, I will continue to use the smaller 13” i5 chip laptop for mount and camera control.
  • Ultra-Wide Angle lens – the truth is I’ve recently acquired this wonderful Sigma 10 – 22mm  f3.5 lens for a trip to the Grand Canyon in April, however, I will of course also be using it with the Vixen Polarie when the skies clear.
No Date Object Name
37 09/10/15 NGC 6888 Crescent Nebula
38 09/10/15 M 74 Spiral galaxy (near Pegasus)
39 09/10/15 NGC 7814 Little Sombrero
40 09/10/15 NGC 7479 Barred spiral galaxy
41 09/10/15 M 31 Andromeda galaxy
42 08/12/15 NGC 1499 California Nebula
43 08/12/15 IC 405 Flaming Star Nebula
44 08/12/15 NGC 2264 Cone Nebula
45 09/12/15 M42 Great Orion Nebula etc
46 08/12/15 Orion Constellation

 

Favourite Images

Despite the lack of activity this year I have been fortunate to obtain some good images and I can only hope 2016 will be just as rewarding.  Acting as judge and jury, my personal favourites in no particular order are:

NGC 2024 Flame Nebula & Horsehead Nebula WO GT81 + modded Canon 550D & FF | 10 x 180 secs @ ISO 800 & darks calibration | 8th February 2015

NGC 2024 Flame Nebula & Horsehead Nebula
WO GT81 + modded Canon 550D & FF | 10 x 180 secs @ ISO 800 & darks calibration | 8th February 2015

 

Eclipse: Inward sequence from umbral contact to totality WO GT81 + Canon 700D + FF | 1/500 to 1/3 sec @ ISO 100 | 18th September 2015

Eclipse: Inward sequence from umbral contact to totality
WO GT81 + Canon 700D + FF | 1/500 to 1/3 sec @ ISO 100 | 18th September 2015

 

M31 Andromeda Galaxy WO GT 81 + modded Canon 550D + FF | 9 x 120 secs @ ISO 1,600 | 19th September 2015

M31 Andromeda Galaxy
WO GT 81 + modded Canon 550D + FF | 9 x 120 secs @ ISO 1,600 | 19th September 2015

 

??????????????

Goals for 2016

After the year that’s just finished I am reluctant to set out goals for 2016 but here goes:

  • Increase imaging exposure times: This is a euphemism for (a) improving equipment set-up and alignment, and (b) start autoguiding. As previously outlined, I have been struggling with both of these issues but one way or another I have to overcome the problems in order to obtain exposure times of at least 5-minutes and hopefully longer;
  • Improve processing: I was pleased to get to grips with Photoshop in 2015, albeit using a very old version, which together with other minor improvements to processing has added to the quality of the final images.  However, I know that even now there is more to be teased out of the existing imaging data for which I am already considering new software;
  • Start widefield imaging: First I just need clear skies in order to get out and start using the Vixen Polarie tracking mount from Fairvale Observatory, with the initial objective of imaging Barnard’s Loop, which has hitherto proved elusive to my current set-up.  However, one of the attractions of the Polarie-DSLR-Tripod combination is its portability, which I’d like to put to good use in 2016 by visiting dark sky areas in the UK.

There are other possible developments which at the moment seem unlikely to eventuate but you never know: a larger probably SCT telescope, a cooled CCD camera, and / or a permanent observatory (well I can dream can’t I?).

 

So all things considered 2015 was a good but not great year.  As a fundamental and important development I had really hoped to start autoguiding and thus increase exposure times but it was not to be.  Certainly the loss of astronomy time between April and September was a major set-back in many different ways.  Notwithstanding, during the remaining times available when I did manage to get outside I believe I achieved some of my best images to date and discovered many new and exciting objects in the night sky, which can’t be bad.  In particular, I am sure the lunar eclipse in September will remain a highlight of my astronomy experiences for many years to come.

Harvest Moon at Totality WO + Canon 700D + FF | 1/3rd Sec @ ISO 400 | 28th September 2015

Harvest Moon at Totality
WO + Canon 700D + FF | 1/3rd Sec @ ISO 400 | 28th September 2015

 

I’m now looking forwards to 12-months of uninterrupted astronomy, clear skies and plenty to report in the WTSM blog at the end of 2016!

Watch this space!

Harvest Time

Thanks to Copernicus and Kepler et al, astronomical events are highly predictable; unfortunately the same cannot be said about the weather.  Since taking up astronomy and despite favourable predictions of clear skies, I have frequently been thwarted by incoming cloud or worse.  When communicating with each other astronomer’s often use the closing of “Clear Skies”, no wonder given the continuous battle we have just to see the sky at night, let alone image it!

Such was my experience in 1982.  At the time I lived and worked in northern South Africa, close to the border with Botswana and the Kalahari Desert.   A lunar eclipse was forecast and in this part of the world there was usually a good chance of a clear sky.  Unfortunately, it was not to be this time either.  We saw glimpses of the eclipse through brief gaps in the otherwise thick cloud that was blowing across the sky.  I’ve missed other eclipses for the same reason, lunar and solar, and as a result have developed a somewhat resigned mindset towards such events, with the probability that the sky would most likely not be clear.  And so despite encouraging forecasts, my expectation for this week’s lunar eclipse was more of the same.

The lunar eclipse of 28th September was very unusual.  At mid-eclipse the Moon was just one hour past its closest approach to Earth in 2015, creating an effect now popularly termed a ‘Supermoon’.  Moreover, the rare combination of this and a full eclipse at the same time results in a distinctive red moon at totality.

I have learnt the hard way that in astronomy Rule-1 is perseverance.  I therefore carried out all the necessary research on the eclipse, undertook a dry run the previous evening and set-up all the equipment in the early evening before heading for forty winks – it was after all hopefully going to be a long night.  The weather had been clear and sunny earlier in the day but was forecast to cloud over shortly after midnight, just before umbral contact!  The sky was clear when I went out later but ominously there were clouds in the west.  Notwithstanding, the sky remained clear all night and the eclipse was nothing less than spectacular.

Total Lunar Eclipse 18th September 2015

Total Lunar Eclipse 18th September 2015

The precision with which astronomical events are plotted is incredible and, guided by various articles and charts all was in place well before the end of the penumbral stage at 2.07am.  Shortly before darkness started to show on the top, eastern edge of the Moon and then exactly at 2.07am the eclipse shadow touched and then crept inexorably across the Moon’s surface.  This was the main phase of the eclipse when the Moon enters the central, dark part of the shadow called the umbra, eventually reaching totality at 3.11am.

Totality lasted 1 hour 12 minutes, during which I just watched through a pair of 10 x 50 binoculars, which probably was the best way of actually viewing the Moon throughout the eclipse.  Of course, with the brightness of the full Moon obscured by the eclipse during this time, the rest of the night sky was plunged into blackness, thus bringing the stars, nebulae and galaxies back to life.  As the Moon was passing through the lower part of the Earth’s umbral shadow, the southerly edge appeared relatively bright during much of totality.  Totality finished promptly at 4.23am as the light started to move across the Moon’s surface once again like an unstoppable wave.  The Moon finally exited the umbra at 5.27am and the show was over until October 2033, on which occasion the Supermoon eclipse will unfortunately not be visible from the UK – I did say it was rare.   However, there will be another total lunar eclipse in July 2018, so it’s not all bad news.

Given my history, this was naturally my first time imaging a lunar or any other eclipse and I am very pleased with the results.  Other than requiring a clear sky, as usual preparation was the key: understanding the timing and dynamics of the event and considering the imaging possibilities.  The most obvious problems to overcome were the Moon’s tracking and movement of the eclipse itself, with its associated impact on changing brightness and contrast for imaging.

The previous evening had also been clear, so I tested a basic DSLR + tripod set-up using an intervalometer to trigger the shots at 5-minute intervals.  With the 200mm telephoto lens 8 pictures were successfully recorded as the Moon tracked across the image frame, at 100mm this increased to 12 pictures; however, the track tended to move out of the side of the frame early as the Moon follows an inclined rather than horizontal track.  Altogether it was a successful and useful experiment for the next evening.

On the night I used the William Optics GT81, with a Canon 550D camera and field flattener, which continuously tracked the Moon and eclipse,  imaging at 1-minute intervals throughout the period inward and outward of the umbra and manually during totality.  Using a fixed ISO 100, it was necessary to continually change the exposure time every five or so minutes in order to compensate for the aforesaid changing light conditions.  In addition, I again used the intervalometer with the Canon 700D and the 55- 250 mm telephoto lens on a camera tripod.

Eclipse: Inward sequence from umbral contact to totality WO GT81 + Canon 700D + FF | 1/500 to 1/3 sec @ ISO 100 | 18th September 2015

Eclipse: Inward sequence from umbral contact to totality
WO GT81 + Canon 550D + FF | 1/500 to 1/3 sec @ ISO 100 | 28th September 2015

Eclipse: Exit sequence to full Moon Canon 550D + tripod | >=1/160 sec @ ISO 400

Eclipse: Exit sequence to full Moon
Canon 700D + tripod | >=1/160 sec @ ISO 400

Eclipse animation

Eclipse animation

The results from both methods turned out well.  With superior optics and tracking, the WO telescope images were naturally better in quality and magnification.  However, the alternative simple camera set-up also produced a pleasing record of the eclipse, perhaps in some way capturing the mood better?

The entire event lasted just over 3-hours, during which found it necessary to look away from the imaging process at times just to enjoy this unusual and exciting spectacle.  The name Harvest Moon is given to the full moon closest to the Autumn Equinox, recognising the time of year at which the crops have been gathered and can itself be an attractive sight.  The coincidence with an eclipse makes for a rare and dramatic occasion, which this time I was able to enjoy completely cloud free from beginning to end – well that’s a first.

Harvest Moon at Totality WO + Canon 700D + FF | 1/3rd Sec @ ISO 400 | 28th September 2015

Harvest Moon at Totality
WO + Canon 550D + FF | 1/3rd Sec @ ISO 400 | 28th September 2015