Rosette Nebula – Chroma First Light

The history of astrophotography will record a period of rapid innovation during the past decade, amongst which one of the stand-out developments has been that of the CMOS sensor based camera, notably the ZWO ASI1600MM-Cool (see below).  Just look at any astrophotography website such as Astrobin and it won’t take long to find an image taken with this camera such is its popularity.  It is this very camera that I was fortunate to purchase in December 2016 shortly after its release and has been the core of my astrophotography set-up ever since. 

I have generally been very happy with the results achieved with the ZWO camera, although an issue sometimes occurs when imaging large stars, so called ‘star bloating’.  There are a number of theories discussed ad nauseam online why this might occur, of which microlensing and / or diffraction seems most likely and probably relates to either – the sensor, sensor cover or filters.  Since beginning with the ZWO camera I’ve used their excellent matching EFW with LRGB and 7nm narrowband filters.  Notwithstanding, the filters are considered to be somewhat ‘low end’ by the aficionados of such things and after living with the ZWO filters for some time, at considerable cost I recently decided to upgrade to a set of Chroma 31mm filters – LRGB + 3nm narrowband.  Together with Astrodon, Chroma filters are generally considered to be the best and my expectations were therefore high.

Being unmounted I’d previously found the ZWO filters tricky to install using the small screws and fibre washers supplied.  At 3mm Chroma are physically 1mm thicker than ZWO filters and also need to be fitted in a specific direction, which is ‘letters up’ or with top of the ID letters on the side of the filter facing towards the sensor; this is disputed by the manufacturer but there’s substantial first-hand experience online that suggests otherwise.  With these issues in mind I sought out bespoke filter masks and longer M2 6mm screws to hold the thicker filters firmly in place.  The 3D printed masks from Buckeyestargazer in the USA did a great job securing the filters and are better than those from ZWO – the internal edge of the mask forms an L-shaped ledge into which the filter fits snuggly.  Ready to go, I then had to wait nearly 4-months before the clouds parted to try out these expensive pieces of glass and then it was a full moon – I often wonder if astrophotography is a good hobby to choose in the United Kingdom but it’s too late now?

Chroma filters secured with Buckeyestargazer masks and ready to go

Given the presence of the moon it therefore had to be suitable narrowband target and after three years since I’d last imaged this object it was an opportunity to have another go at NGC 2244 AKA the Rosette Nebula, though being late February there was limited time each night before the object sunk low behind trees on the western horizon; coincidentally the ZWO ASI1600MM-Cool First Light in early 2017 was also the Rosette.  Before starting serious imaging I first tried some test shots to make sure everything worked OK and immediately discovered that the change from 7nm to 3nm had a significant impact on light gathering, thus requiring greater exposure times of an unprecedented 10 minutes.  Not surprisingly this was also apparent when taking flats which increased exposure time of up to x10 longer in duration compared to the ZWO filters; conversely preliminary but limited tests on the broadband filters seem to indicate greater transparency and thus shorter exposures, time will tell if this is correct.

So was it all worth it?  I’m very pleased with the final image which was processed using the SHO Hubble Palette with PixInsight and Photoshop (see top of the page).  There are a number of significant bright stars in and around the Rosette which the Chroma filters have handled well but overall it is the more delicate tone that has been achieved which is most pleasing.  Fundamentally the 3nm filters have produced a more subtle quality to the overall image and in particular the nebulosity.  In addition, applying Hartmut Bornemann’s excellent colour calibration script AutoColor for the first time (see Visible Dark’s video tutorial here) has resulted in a soft but exciting colour palette. 

Subsequently I have focussed on the inner region of the nebula which contains the so-called ‘Carnival of Animals’ (see above), which has been cropped and reprocessed individually to show-off the ‘animals’ or Bok globules –   named after the Dutch-American astronomer Bart Bok, who in 1947 proposed that these dark nebula indicated clouds of dust undergoing gravitational collapse as part of the process of new star formation, which has since been confirmed.  In conclusion I’d therefore say that despite the obstacles, issues and long wait, on the evidence so far the addition of the Chroma filters to my set-up has been very successful – transformative in fact.  Now I wonder if they make something that removes the clouds?  

 IMAGING DETAILS
ObjectNGC 2244 + 2337 + 2238 + 2239 + 2246  AKA the Rosette Nebula
ConstellationMonoceros
Distance5,200 light-years
Size65 light-years
Apparent Magnitude9
  
Scope William Optics GT81 + Focal Reducer FL 382mm  f4.72
MountSW AZ-EQ6 GT + EQASCOM computer control & Cartes du Ciel
GuidingWilliam Optics 50mm guide scope
 + Starlight Xpress Lodestar X2 camera & PHD2 guiding
CameraZWO1600MM-Cool mono  CMOS sensor
 FOV 2.65o x 2.0o Resolution 2.05”/pix  Max. image size 4,656 x 3,520 pix   
EFWZWO EFW + Chroma Ha, OIII & SII 3nm filters 
Capture & ProcessingAstro Photography Tool + PHD2 +  Deep Sky Stacker & Photoshop CS3
Image Location              & OrientationCentre  RA 06:31:52.688      DEC 04:58:11.11                        Top = North     
Exposures12 x 600 sec  Ha & SII  11 x 600 sec OIII Total Time:  5hr 50 min   
 @ 139 Gain   21  Offset @ -20oC    
Calibration5 x 600 sec Ha + OIII + SII   Darks 20 x 1/4000 sec Bias  &  15 x  Ha + OIII + SII Flats & Dark Flats               @ ADU 25,000
Location & DarknessFairvale Observatory – Redhill – Surrey – UK        Typically Bortle 5-6
Date & Time26th 27th 28th February 2021  @ +21.15h  
WeatherApprox. <5oC   RH >=65%                  🌙 100% Full Moon

What Comes Around Goes Around

RGB HaOO XXX2

It’s nearly 4-years since I started astronomy, like so many inspired after observing Saturn through a telescope.  Not just any telescope but the 13” Astrographic Refractor at the Observatory Science Centre in Herstmonceaux.  Built in 1890 specifically to make use of the then new technique of astrophotography, the telescope was first employed as part of the worldwide Carte Du Ciel project to map the entire night sky by photography and subsequently for a crucial test of Einstein’s then new theory of General Relativity.  Soon thereafter I was to view the aforesaid planet once again with my first, newly purchased Skywatcher 150PL Newtonian telescope.  Inevitably something of a lesser view than that at Herstmonceaux it was nonetheless just as exciting, if not more so.  I was hooked!

I then attempted afocal imaging using a compact camera held up to the telescope eyepiece but with poor results, except in one respect.  By clamping the camera onto the front of the eyepiece and achieving longer exposures, nebulosity otherwise unseen with the naked eye was revealed in the resulting image, in this case Orion’s Nebula.  As crude as the image was, for me the penny had dropped and I’ve been pursuing images of the hidden beauty of the night sky ever since.

rosette map

ngc2237map

Like mariners, through astronomy I have by now become accustomed to the seasonal procession of the night sky wonders throughout the year, none more so than the Rosette Nebula.  About 100 light-years across and 5,000 light-years from Earth, the Rosette Nebula is surely one of the annual highlights for most astrophotographers?  Located just east of Orion, the Rosette is at its best between December and February, so that I was first able to image this beautiful object myself at the end of 2014.

As a very large HII region the Rosette Nebula emits light mainly at narrowband wavelengths, which produces wonderful but mainly red colours when imaged with a modded DSLR camera.  As my astrophotography and equipment have since developed, it has become a pleasure and challenge to image objects as they return each year such as the Rosette, thereby also charting my own improvements or otherwise from year-to-year.  Its size makes the Rosette an especially attractive target for smaller telescopes such my own with an 81mm aperture, which nicely fills much of the sensor of an APS-C camera.

Despite having purchased a new ZWO1600MM-Cool mono camera at the end of 2016, by the time I was ready to use it at the end of the following March, the Rosette Nebula had almost disappeared over the western horizon for another year.  Notwithstanding, in the limited time remaining I managed to capture a few Ha-OIII-SII subs, thus marking first light for the camera, which ironically resulted in one of my favourite images for 2017.  Using narrowband for the first time it was immediately possible to see the potential of the new camera when imaging this type of object.

Returning from an extended overseas trip at the end of January this year, 10-months had passed since my last encounter with the Rosette Nebula last March and I found myself with the first real opportunity to image the nebula properly with the ZWO1600MM-Cool camera.  Since last year I’d acquired more knowledge and experience with the camera, plus this time the Rosette was now in the south eastern quadrant and provided significantly more imaging time than before.

After a break of nearly two months I needed to sort out the equipment, refocus the camera and start a new alignment model in EQASCOM.  For the first time I also decided to use longer exposure times of 300 seconds, which altogether produced a good Ha+OIII Bi-Colour image (top of page – awarded BAA Picture of the Week 4th March 2018); whilst much longer exposures are used with conventional CCD sensors, such is the sensitivity of the CMOS mono sensor in the ZWO camera that 5-minute exposures provide exceptionally good quality data.  Overall the impact of longer exposure, good focus, tracking and much longer total integration time had a noticeably positive impact on noise and overall image quality, though there’s still room for improvement – there always is!

To some extent, even after a year I’m still in the experimental phase with this camera.  For most of 2017 I used a high gain setting of 300 but this time I chose the Unity gain setting of 139 and for interest also imaged at a shorter exposure of 180 seconds.  Comparison between the two settings for Ha images – Unity gain at 300 and 180 seconds – shows that for such a nebulous type of feature as the Rosette, Unity gain works very well at the longer 300 second exposure (first image below) but not 180 seconds (second image below), which is too short to collect sufficient data.

Picture saved with settings embedded.

Picture saved with settings embedded.

Notwithstanding, in the past I have found shorter exposures at Unity or less have generally been more suitable for brighter objects such as star clusters or galaxies like Andromeda.  An alternative SHO Hubble Palette image below of the Rosette Nebula at Unity gain and 300 second exposure also compares more favourably with the same image taken last year using less subs, higher gain and shorter exposure time.

Untitled-2 Crop2 (Large)When the object is right, such as the Rosette Nebula, narrowband imaging using the ZWO camera produces exceptional results.  This is evident in these recent images where it’s now possible to clearly see structural elements of the nebula, as well as the star fields located within.  Frankly I am very excited by these new images and can’t wait for next year to come around again!

Postscript: Research at Leeds University just published suggests that the Rosette Nebula is a disc but I believe my eyes and this image and many others which says otherwise!

IMAGING DETAILS
Object Rosette Nebula     NGC 2244 + 2237, 2238, 2239 & 2246   
Constellation Monoceros
Distance 5,000 light-years
Size Approx. 100 light-years or 1.3o
Apparent Magnitude +9.0
 
Scope  William Optics GT81 + Focal Reducer FL 382mm  f4.72
Mount SW AZ-EQ6 GT + EQASCOM computer control
Guiding William Optics 50mm guide scope
  + Starlight Xpress Lodestar X2 guide camera & PHD2 control
Camera ZWO1600MM-Cool (mono)   CMOS sensor
  FOV 2.65o x 2.0o    Resolution 2.05”/pix   Max. image size 4,656 x 3,520 pix   
EFW ZWOx8 + ZWO LRGB & Ha OIII SII 7nm filters 
Capture & Processing Astro Photography Tool,  Deep Sky Stacker & Photoshop CS2
Exposures 12 x 300 sec Ha, 6 x 300 sec  OIII & SII  (Total time: 120 minutes)
  @ 139 Gain  21 Offset @ -20oC  
Calibration 5 x 300 sec Darks  20 x 1/4000 sec Bias  10 x Flats Ha, OIII & SII @ ADU 25,000  
Location & Darkness Fairvale Observatory – Redhill – Surrey – UK        Typically Bortle 5
Date & Time 9th February 2018 @ 22.00h